“Hey there, photography enthusiasts! Ever wondered what that DSLR acronym really means? It’s the Digital Single-Lens Reflex – a term that’s practically synonymous with digital cameras. Now, let’s talk about a nifty gadget in this realm: the DSLR microphone. It’s like the unsung hero designed to seamlessly pair up with camcorders or those video-savvy DSLR cameras.
- Our Top Pick: Deity V-Mic D3 Shotgun Microphone
- Best Premium Shotgun Microphone: Sennheiser MKE 600 Shotgun Mic Kit w/Mount & Windshield
- Best for Filtering and dB Boost and Cut: Rode VideoMic Pro+ Camera-Mount Shotgun Microphone
- Best Budget Shotgun Microphone: Movo VXR10 Shotgun Microphone
- Best for On-Board Recording: Shure VP83F LensHopper Professional Shotgun Mic
- Best Budget Rode Mic: Rode VideoMicro Compact Microphone
- Best Lavalier for Vloggers: Rode Wireless GO II
- Simplest Set-Up: BOYA BY-MM1 Shotgun On-Camera Microphone
- Best Lavalier Mic: Sennheiser Pro Audio Wireless Lavalier Mic System
- Best Value Shotgun Mic: Saramonic VMIC Pro: Super-Dir Mic for DSLR/Cam
Sure, your trusty DSLR comes with a built-in microphone, but let’s be real – it doesn’t always hit the audio jackpot. That’s why a bunch of podcasters out there are on the hunt for external mics to level up their game when teaming up with DSLR cameras.
Imagine this: you, your DSLR camera, and a dedicated microphone working in harmony. Not only do you get top-notch visuals, but you’re also nailing high-quality audio without breaking a sweat. Hook up a DSLR microphone, and voila! Automatic audio recording that takes your whole audio-visual experience up a notch. Let’s dive into the world where great shots meet even better sound – because why settle for anything less?”
Deity V-Mic D3 Shotgun Microphone
The Deity V-Mic D3 is an incredible piece of equipment, so let’s get into it. One feature that stands out and steals the show is its stepless gain control, which is a game-changer when it comes to dealing with camera preamps that are not particularly impressive. Dealing with low signal levels and achieving the ideal sound level has never been easier than it is now.
As about the battery’s lifespan? A single charge may last for an astounding fifty hours! The Deity works its magic, altering the output dependent on what it is connected to, so there is no need to mess around with multiple cords for different devices, such as camera equipment, laptops, or phones.
Regarding the sound quality, it is just as outstanding as the strong construction of the headphones. In a bold assertion, one reviewer proclaimed that it was the greatest on-camera shotgun microphone that was currently available.
When I was confronted by the Sennheiser MKE600, I took on the role of a detective, and guess what happened? We did not find any differences. In addition, the Deity is available for a price that is fifty percent lower than that of the Sennheiser. How about a win-win situation!
Sennheiser MKE 600 Shotgun Mic Kit w/Mount & Windshield
All right, audiophiles, let’s speak about the Sennheiser MKE 600, which is a long shotgun microphone that is causing a lot of buzz. This microphone is a game-changer since it is crafted with superb construction of the highest caliber and has incredible adaptability.
When connected to your camera or phone, it just requires a single AA battery to function, and it is also capable of drawing power from phantom sources through the use of XLR. One of the most interesting features of the MKE 600 is that it has a hypercardioid polar pattern and a high-pass filter, which eliminates the noise that occurs below 175 Hz.
To what sound? Exceptionally clear, particularly in regard to the content of discourse. You won’t have to worry about anything because it comes with a foam windshield, all of the required connections, and even a deadcat. In spite of the fact that it is not the most cost-effective choice available, the MKE 600 is a great tool for enhancing the audio quality of your recordings. Think of it as an investment in the quality of the audio that you have available for your content creation device.
Rode VideoMic Pro+ Camera-Mount Shotgun Microphone
The Rode VideoMic Pro+ is a wonder, and we are going to uncover its secrets. Get ready for an adventure that is jam-packed with features. Looking for a fast fix? When you are in a pinch, you may replace the rechargeable battery using AA batteries.
Oh, and did we remember to add that it also functions as a USB microphone? Simply plug it in, and the’mic out’ connection will turn into a headphone socket, allowing you to enjoy the benefits of zero-latency monitoring of both the microphone and the audio coming from the computer.
Turn the gain slider to either +20 or -10 dB, then experiment with the high-pass filter that can be switched between 75 and 150 Hz according on your preferences. Use the “safety mode” to record independently to the left and right channels, with one of them set to -10 decibels. This is a genuine lifesaver in the event that audio snippets creep in while you are recording.
It is true that it comes with a foam windshield, but here’s the kicker: if you add a deadcat, which is an available accessory, then suddenly, windy circumstances are no match for its outstanding performance.
Let’s start about sound: it is clean and clear, with a lovely low-end and sharp clarity in the higher frequencies, making it ideal for talking. As a result of its capacity to function as a computer microphone, as well as its compatibility with boom pole mounts and XLR capabilities, the VideoMic Pro+ demonstrates that it is the most comprehensive audio piece of equipment available.
Movo VXR10 Shotgun Microphone
We are going to speak about simplicity with the Movo VXR10 Pro, which is a shotgun microphone that is tiny, has no frills, and gets the job done. Do you want to know what’s included in the package? Foam and deadcat windshields, in addition to a Rycote Lyre Shockmount, are all that are required to maintain stability. To add insult to injury, they include cords that allow you to connect your smartphone or DSLR without any hassle.
When you flip it around, you will notice that there are headphone and microphone out connectors located on the back of the device. This is a really useful feature, particularly if your camera does not have the valuable headphone monitoring port.
What is power? Simple and uncomplicated. Therefore, there is no requirement for batteries or phantom power because it gets power from the camera itself. Mount it, plug it in, and press the record button; this is the epitome of simplicity.
It’s time to talk about sound. When compared to other products in this price range, the Movo VXR10 Pro packs a powerful punch. It may be a little off at the lower end when it is held at the top of the camera, but if you hold it at the sweet spot of 8-12 inches (20-30 cm), you will be in for a treat: a sound that is rich and balanced. To give you a heads up, however, it is not the best option if you are recording in settings when there is a lot of wind.
Shure VP83F LensHopper Professional Shotgun Mic
The Shure VP83F is not just a microphone, but it is also a solo audio recorder. Let’s talk about the dual magic that this device possesses. Aren’t we all familiar with the struggle of dealing with subpar camera preamps? Noisy and prone to clipping, this is hardly the auditory fantasia that we are looking for. In this story, the external recorder is the protagonist and the hero.
With the Shure VP83F, you may now have both the microphone and the audio recorder in one convenient package. What about recording directly to a flash drive? Assumed. Does the camera get sounds from you? In a word, yes.
This behemoth boasts a gain that can be adjusted up to 60 decibels and offers music that is crystal clear when used inside. Additionally, there is a high-pass filter that kicks in below 170 Hz to take care of problems and keep things organized.
There are others that consider it to be the greatest DSLR microphone available. Without a doubt, it can come off as a little bit boring to my ears. But here’s the catch: the audio recorder that’s built right in adds an entirely new dimension of mystery to the situation. In the event that you are interested in a microphone that offers more than meets the ear, the Shure VP83F might very well be the audio adventure that you have been waiting for.
Rode VideoMicro Compact Microphone
Let’s put the emphasis on the Rode VideoMicro, the microphone that is establishing itself as the dominant player in the world of video bloggers. Rode has very much established itself as the brand of choice for vlogging microphones, and the VideoMicro is not an exception to this rule. It has a trademark sound that is now synonymous with YouTube and the soundscape of social media, and some people could remark that it has a unique, compressed tone.
Let’s move on to the highlights of the product, shall we? With its frequency response, the VideoMicro is able to effectively eliminate noises that are lower than 100 Hz with relative ease. Imagine a large reduction in the amount of background distractions such as aircraft buzz, road noise, and other inconvenient sounds.
The deadcat is not a weakling, especially when the winds begin to howl, and this is the most important part of the story. Consequently, if you frequently find yourself recording in the great outdoors, the VideoMicro might very well be your reliable companion, since it is able to easily handle any windy circumstances that may arise.
Rode Wireless GO II
Discussing the Rode Wireless GO II, a microphone that defies expectations by not seeming like a microphone at all, is something that we should do. Imagine that you have a square that is shiny and roughly half the size of a deck of cards. Very intriguing, isn’t it?
However, hidden within these seemingly little squares is a treasure trove of ingenious technological trickery that has the potential to perform wonders on your recordings.
Okay, then what makes it stand out? A staggering range of 200 meters, which translates to a transmission that is confidently 330 feet (100 meters) in length. The mic and transmitter pair is equipped with an integrated recording feature, so you won’t have to worry about your signal playing hide and seek. As soon as the recording is imported, it will note any instances in which the transmission fails and will flag those instances in the recording.
After activating the safety mode, you will have one channel recording at a level of -20 decibels, which will allow you to confront any unexpected clipping head-on.
Utilizing the GO II receiver, which is capable of handling two transmitters, makes conducting interviews a snap. The LCD screen that is located on the receiver is wonderful; it is not only clear and informative, but it also allows you to monitor a variety of performance parameters.
Do you need to adjust the padding? Not an issue at all. The Rode app gives you the ability to adjust the volume in increments of 10 decibels, or, you know, whatever amounts you find acceptable.
In addition, the icing on the cake is that the microphone comes with a deadcat that can be used to counteract windy circumstances and can be locked in place firmly. Additionally, it has a microphone input, which transforms the transmitter into a transmitter in its own right.
The Rode Wireless GO II is not your typical microphone, but oh, what it brings to the table of features and capabilities!
BOYA BY-MM1 Shotgun On-Camera Microphone
Taking into consideration the Boya BY-MM1, which is a microphone that has a remarkable similarity to the Rode VideoMicro, but with a twist that is more wallet-friendly, let’s talk about the brilliantness of the Boya BY-MM1.
In addition to being powered by your camera, this shotgun miracle comes with all of the cords that are need to connect to your phone or camera in a smooth manner. Additionally, as a last piece of the puzzle, it includes a deadcat windshield for good measure.
Take note of the standard tripod thread that is located on the bottom of the Rycote Lyre shockmount for the hot shoe; this is a really convenient feature.
When it comes to the domain of sound, there is a nuanced dance that takes place between the Boya BY-MM1 and its Rode counterpart. Due to the fact that Rode is said to have a greater frequency response range, the specification sheet might very well tilt the scales in their favor. However, when the tests are conducted in real life, the difference is nearly too minute to be noticed.
What is the verdict? The Boya BY-MM1, which is available at a price that is around half of that of the Rode, has emerged as the best option for vloggers who are concerned about their financial situation.
With the ability to record high-quality audio without breaking the bank, there is no reason to spend a lot of money. The solution may be found in the Boya BY-MM1.
Sennheiser Pro Audio Wireless Lavalier Mic System
With the Sennheiser Pro Audio EW 112P, a wireless lavalier microphone that is sometimes referred to as the “industry standard,” let’s take a step into the realm of audio that is considered to be of the highest quality. It is only fitting that the G4, which is the most recent model, garners attention, given that it comes with a premium price tag and promises to deliver exceptional quality.
Taking a look at this conventional configuration, which consists of black boxes with protruding aerials and belt clips for both the transmitter and the receiver, comes next. The construction is entirely made of metal, which is a clear indication that it is serious about doing business and is aimed at a serious market.
You are asking about the quality of the audio, right? As was to be anticipated, excellent. An unexpectedly nice surprise is the range, which frequently exceeds the claimed 330 feet (100 meters).
And here’s the icing on the cake: the Pro Audio EW 112P package doesn’t leave you hanging in the air. These cables are included in the box so that you may connect them to your portable recorders and cameras.
The Sennheiser Pro Audio EW 112P is the maestro of the melody, providing you with a performance that lives up to its designation of “industry standard.” It is true that it may come with a price tag, but if you are in the market for audio that is of professional-grade quality, then you should consider purchasing it.
Super-Dir Mic for DSLR/Cam
The Saramonic Vmic Pro is a microphone that is not afraid to make its presence felt, especially with that foam windshield. Let’s take a closer look at this microphone. Imagine this: a considerable size, a body made of solid metal, and a shockmount that is integrated and cannot be detached. One that is serious about its business.
However, if you turn it around, you will find that the rear panel contains controls that let you to adjust the gain to either -10, 0 or +20 dB. However, this is not all; there is also a high-pass filter and a high-frequency boost of +6 dB, which are ideal for enhancing speech in the presence of annoying background noise.
Are you interested in monitoring your audio? Not an issue at all. For cameras that do not have a headphone socket, the Vmic Pro comes with a headphone jack that allows for audio monitoring while the user is on the move. This is a very convenient feature.
The audio showdown has come to a conclusion; what is the verdict? In this experiment, I compared the Vmic, a Rode Videomic Pro+, and a Rode Video Micro by listening to samples of each of them side by side. My ears have informed me that the Rode microphones have a tendency to lean excessively trebly.
In comes the Saramonic, which, because to its lower treble, contributes to a more laid-back atmosphere at the party. Although it may not be able to match the top-end clarity of certain rivals, it is undeniably an improvement over the internal microphone that comes with your DSLR. To put that into perspective, if you like a more subdued tone, the Saramonic Vmic Pro might very well be the musical note that you have been looking for all along.
Choosing the Right DSLR Microphone: A Comprehensive Guide
Finding the optimal fit for a DSLR microphone requires taking several important things into account. Let us break down the main components to help you make an informed decision:
Budget:
Your budget dictates your microphone option. High-quality microphones developed for DSLR cameras are frequently expensive. Create a budget ahead of time to filter down possibilities that are within your financial means.
Size:
Portability is frequently neglected yet can be game-changing. If your podcast takes you to several locations or requires studio visits, choose a microphone that fits easily into your camera bag. Balance is important, though; avoid sacrificing build quality for compactness, especially if you’re constantly on the go.
The Polar Pattern:
It is critical to understand polar patterns. Depending on your recording situation, select between bidirectional, cardioid, or omnidirectional patterns. Bidirectional cancels noise from the sides, cardioid reduces noise from the sides and rear, and omnidirectional collects sound from all directions. Consider hypercardioid and supercardioid versions for specific purposes.
Life of the battery:
Avoid having your recording session cut short due to a dead microphone. Invest in a microphone with a long-lasting battery life for extended durations away from power sources to ensure uninterrupted recording.
Dynamic or condenser:
Based on your recording situation, choose between condenser and dynamic mics. Condensers excel in studios because they capture high-frequency sounds but require a power supply. Dynamics are suitable for loud areas with background noise because they do not require external power.
Mounting Method:
The mounting style has an impact on recording flexibility. Different designs are appropriate for different recording situations; for example, lavalier mics are ideal for interviews. Check the jack on your DSLR to ensure that the chosen microphone fits perfectly.
Range of Frequency Response:
Understand the frequency response range of a microphone, which indicates the range of sounds it can catch and reproduce. Frequencies normally range from 20 Hz to 20 kHz, but some microphones omit particular frequencies on purpose to improve audio quality. When assessing frequency response, keep your individual recording requirements in mind.
By investigating these aspects, you will not only narrow down your search for the ideal DSLR microphone, but you will also ensure that your chosen equipment meets your specific recording needs.
FAQs
Can you recommend any mics for DSLR cameras?
Among the best DSLR mics are the DEITY V-MIC D3 Pro, Sennheiser MKE 600, Shure VP83F LensHopper, and RODE VideoMicro.
Which DSLR microphones have long-range capabilities?
When combined with DSLR cameras, most shotgun mics excel at delivering long-range capabilities. Movo VXR10-Pro, DEITY V-MIC D3 Pro, Azden SGM-250CX, and Sennheiser MKE 400 and 600 are among the notable possibilities.
Which DSLR microphones are preferred by pros and artists?
On-camera microphones from companies like RODE, Audio-Technica, and Shure are frequently used by professionals and artists. These high-quality products are regularly used by specialists in the field.
